
WRITING
“Writing is the painting of the voice.”
– Voltaire

NOVELS


Book I: Twilight at Primrose
Gothic Horror / Occult / Mystery
Set in Victorian England, John Greycross confronts primordial dark beings known as the Ulmaru, their many malevolent manifestations, and the human conjurors who bargain with them. Armed with an uncanny inherited power—the Lumenfire—and ancient arcana, he stands between the ordinary world and the shapeshifting horrors that feed on suffering and chaos. Each book follows a case in which an unsuspecting citizen is irreversibly touched by the dark ones, driving them to seek Greycross’s aid. Meanwhile, a clandestine order of cultists works to unravel the seals that bind the most powerful Ulmaru, believing their return will reshape humanity’s fate.
Paperback and eBook
On Shelves July 2026!

COLLECTIONS


A CODEX OF WEREWOLF LEGENDS AND LORE
Beastform is a visceral, carefully curated compendium of werewolf mythology—braiding together historical accounts, academic examinations, psychological inquiry, and reimagined tales from the long shadow of the lycanthropic tradition.
Drawing from rare public‑domain texts, translated sources, and centuries of folklore, this codex traces the werewolf across cultures and epochs. Inside you’ll encounter everything from the infamous account of Peter Stubbe to anthropological theories of shapeshifters, from the classic treatises of Rev. Montague Summers and Sabine Baring‑Gould to Golden Era werewolf tales of the late nineteenth and early twentieth centuries. The collection even ventures into documented cases of clinical lycanthropy—moments where pathology and myth converge, blurring the boundary between the psychological and the supernatural.
Alongside these restored historical materials, the volume includes original work from author‑curator Liam Keith, expanding the mythos with contemporary depth and imagination:
- New introductions that frame each section with mythic resonance and psychological insight
- “Wulfwoode,” an original atmospheric folk‑horror tale of wilderness, instinct, and the ancient pulse of the beast
- “Shadow Beast,” a depth‑psychology essay exploring the werewolf as an archetype of repression, instinct, and the unintegrated self
These additions transform Beastform from a simple folklore collection into a living document—one that examines why the werewolf has stalked the human imagination for centuries, and what it reveals about the wildness we carry within.
Whether you’re drawn to folklore, history, depth psychology, or dark fiction, Beastform offers a complete and compelling portrait of the werewolf mythos—one that both honors its origins and reawakens its primal power.
Volume I in the Dark Mythology Codices

KING JAMES’ DAEMONOLOGIE
A MODERN ENGLISH TRANSLATION
Daemonologie was written in 1597 by King James VI of Scotland (later James I of England), a monarch whose religious zeal and fear of the supernatural fueled some of the most infamous witch persecutions of his era. Part political treatise, part theological argument, and part occult manual, the text reveals how deeply early modern Europe wrestled with questions of evil, possession, witchcraft, and the unseen forces believed to shape human life.
This edition presents a fully modernized English translation alongside the original text, allowing readers to experience the work both as a historical artifact and as a living document. It also includes original introductions and depth‑psychology commentary, exploring how Daemonologie reflects the anxieties, cosmology, and evolving psyche of the age—and why its themes still resonate in the modern imagination.
Book I in the Dark Mythology Library

SHORT FICTION

JESSICA
A NOVELLA
It’s Fall of 1998, and all geeky rocker Adam wants is to survive senior year of high school, play video games, and listen to heavy metal with his best friend Sean.
Then Jessica transfers in.
She’s absolutely stunning, with blood-red hair, a gothy mystique, and an old-soul charm that doesn’t quite belong in the halls of Charles Vincent High. Other girls bristle with envy, while the guys all line up to date her.
But when she inexplicably chooses Adam, it feels like a fantasy come true, until he finds himself hurled down a spiral of obsession, paranoia, and rage. Bizarre nightmares begin to haunt his sleep, and his body begins to fail him. The deeper he falls for Jessica, the more his world slips, and the more he realizes there is something not quite right about his lover.
A haunting blend of psychological horror and 90s teenage longing, this is a dark, at times humorous, coming-of-age tale about first love, losing yourself, and the price of desire.
Perfect for fans of Ginger Snaps, The Craft, and The Lost Boys.

WULFWOODE
A NOVELLA
Wulfwoode follows Eldric of Culmoor, a seasoned wolf‑hunter with a haunted past, his young son / huntsman-in-training William, and their two hounds as they guide a duke and his entourage into the Northern Crest—a stretch of ancient forest the locals call Wulfwoode. What begins as a par force hunt quickly unravels into something older and darker than any of them expect.
Journeying deep into the mists and trees, they might just find that all the whispers of wraiths, witches, and an entity that is both wolf and man are true.
Guilt, inheritance, superstition, old gods, and the uncanny all converge in a story that feels like it’s been waiting centuries to be told.
Wulfwoode is a tight, atmospheric descent into an ancient and haunted liminal space, a father‑son tragedy, and a confrontation with the monstrous.

EARLY WORKS
Below is a selection of short stories from early in my writing journey. Like an amateur boxer, my combinations were crude and my footwork a little clunky, but I had a hell of a lot of heart and hunger.
It’s not customary for an author to show his early efforts to the world, but I believe there’s richly mythic material in these artifacts. They’re the raw strata of a voice still forming—unpolished, instinctive, and whispering of something it couldn’t yet name.
The world never saw the canvases Caravaggio tore to shreds on his way to mastery, nor the countless typed pages James Joyce tossed into the bin before finishing Ulysses. But I can look back on my own early attempts with fascination and humility, able to sense the mythic heart of my work in its primordial state.
The technical ability in these pieces is respectable, but nowhere near my current level—simply because practice, time, and devotion refine the craft. Still, the pulse of what would become my mythic voice is already here, beating beneath the chrysalis.

KASPIAN TEA
A SHORT STORY (2012)
A strange, indulgent, fever dream of a short story. Equal parts Alice in Wonderland and acid trip, Kaspian Tea is a stream-of-consciousness piece of prose that is either rife with spiritual symbolism, or potentially complete nonsense—you decide.
Illustrations by Microsoft Designer.
Free to read on this site.

DARK GLASS PROTOCOL
A DARK SCI-FI SHORT STORY (2019)
Written in 2019, Dark Glass Protocol is my first foray into Dark Sci-Fi and Speculative Fiction.
Cpt. Ethan Nielson’s company onboards the US Army’s second-generation SCOUT—a deadly, semi-autonomous robotic soldier—two years after the first-generation model went berserk and slaughtered its entire squadron. Nielson and his team must conduct a delicate operation alongside the powerful machine, placing their fates in the hands of the engineers who designed the “perfect soldier”.
Free to read on this site.
DEAD GODS
A MYTHIC SHORT STORY (2019)
“Dead Gods” was written years before I understood the mythic patterns that now shape my work. At the time, I thought I was simply telling a strange tale about fallen giants and a frightened tribe. Only later—through depth psychology and mythic study—did I realize the story was really about the rupture between an animistic world and the arrival of civilization and imposed religion.
Looking back, this piece marks the first emergence of themes that continue through my later writing: the collapse of old cosmologies, the loss of intimacy with the sacred, and the human caught between worlds. The craft here is rougher, the technique less refined, but the underlying resonance was already present.
I’ve left the story mostly untouched so it can stand as an early artifact of the voice I would eventually grow into.
Free to read on this site.

